What Does It Mean When a Piece of Art Is Excessive in Style

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Contrasted References

  • compages
    • Foster and Partners: the Great Court

      In architecture: Expression

      …of expression that are called styles. Way communicates the outlook of a culture and the concepts of its architects. The boundaries of a style may be national and geographical (e.g., Japanese, Mayan) or religious (east.g., Islamic) and intellectual (e.g., Renaissance), embracing distinct linguistic, cultural, and national units; unlike expressions within…

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  • chamber music
    • Joseph Haydn

      In bedchamber music: Manner

      In way, besides, at that place has been a continuing series of changes. "Style" may be defined in this context equally the sum of the devices—melodic, structural, harmonic, and all the rest—that a composer consistently employs, that a grade of works regularly exhibits, or that a…

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  • coinage
    • Herodian coin

      In money: Artistic development

      In contrast to the deliberate archaism of Athenian types, a wide flowering was seen elsewhere. Sometimes this was the result of hybridizing influence, as when Greek artists rendered Scythian motifs at Panticapaeum or Punic ones for Carthage and such of its Sicilian colonies…

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  • hieroglyphic form
    • hieroglyphics

      In hieroglyphic writing: Relationship of writing and art

      …corresponds exactly to the art style of this age. Although definite traditions or conventions were rapidly formed with respect to the choice of perspective—e.thou., a hand was depicted only as a palm, an centre or a mouth inscribed just in forepart view—the proportions remained flexible. The prerequisite of every writing…

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  • language
    • language

      In language: Fashion

      …may be referred to as styles. Each time people communicate, they do then in 1 or another style, deliberately chosen with the sort of considerations in mind that accept just been mentioned, even though in spoken language the choice may ofttimes be routine. Sometimes mode, peculiarly in literature, is contrasted with…

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  • motion pictures
    • filming of La Sirène du Mississipi

      In François Truffaut: Early works

      …every item of a movie's fashion to reflect its director's sensibility as intimately as a novelist's prose style retraces the workings in depth of his listen—hence the term le camera-stylo ("camera-pen"). The emphasis lay on visual nuance, for, in keeping with a general denigration of the preconceived and the literary,…

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    • Doctor Zhivago

      In flick: Essential characteristics of pic

      It exists today in styles that differ significantly from land to country and in forms equally diverse as the documentary created by ane person with a handheld camera and the multimillion-dollar epic involving hundreds of performers and technicians.

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  • photography
    • Louis-Jacques-Mandé Daguerre: View of the Boulevard du Temple, Paris

      In history of photography: General considerations

      and expression, photography has distinct artful capabilities. In order to understand them, one must first empathise the characteristics of the procedure itself. One of the most important characteristics is immediacy. Commonly, merely not necessarily, the image that is recorded is formed past a lens in a photographic camera. Upon exposure to…

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fine art

    • African
      • raffia-fibre cloth

        In African art: Way, tribe, and ethnic identity

        A commonplace of African fine art criticism has been to identify item styles according to supposedly tribal names—for example, Asante, Kuba, or Nuba. The concept of tribe is problematic, even so, and has by and large been discarded. "Tribal" names, in fact, sometimes refer…

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    • folk
      • rooster weather vane

        In folk art: Style

        Although folk artists had their own criteria of office and craftsmanship, design in the theoretical sense was not a role of their training; rather, it was the natural result either of continued employ of established patterns or of instinctive methods of organization. In special…

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    • Winckelmann'south Greek theories
      • Winckelmann, Johann

        In Johann Winckelmann

        …archaic), the high or sublime style of the great Greek sculptors Phidias and Polyclitus of the 5th century bc, the elegant or beautiful style of the sculptor Praxiteles and the painter Apelles (both flourishing in Greece in the 4th century bc), and the imitative menstruum, corresponding to the Greek-tinctured Hellenistic…

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    dance

      • ballet
        • Pieter Bruegel the Elder: Peasant Dance

          In dance: Distinguishing dance from other patterned movement

          …partly appraised on questions of mode. In the wrestling lucifer, however, these questions of fashion are not, as in ballet, central to the issue only simply incidental. The principle most strongly governing the fighters' movements is the scoring of points rather than aesthetic appeal or cocky-expression. For this reason, fifty-fifty…

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        • Pieter Bruegel the Elder: Peasant Dance

          In dance: Types of dance

          ) Within subgenres, different styles can be distinguished, such as those of Ashton, MacMillan, and Balanchine in modern ballet and Graham and Cunningham in modern dance. Style equally used here embraces many elements, including a preference for certain kinds of move (fast, ho-hum, uncomplicated, or intricate) or for detail…

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      • folk dance
        • Pieter Bruegel the Elder: Peasant Dance

          In folk trip the light fantastic toe: Operational definitions

          …no universal motility, figure, class, style, or function. Neither does a specific movement, figure, form, style, or function place a trip the light fantastic toe equally a folk dance. The simplest approach to definition might be to say that folk dances are those dances identified with and performed by folk dancers. Past the same…

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      history

        • Roman Empire
          • Roman Forum

            In ancient Rome: Augustan art and literature

            In Augustan art a similar fusion was achieved between the prevailing Cranium and Hellenistic models and Italian naturalism. The sculptured portraits on the Ara Pacis (Altar of the Augustan Peace) of nine bc, for all their lifelike quality, are yet in harmony with the classical poise of the figures, and…

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        • Due south American Indians
          • distribution of aboriginal South American and circum-Caribbean cultural groups

            In South American forest Indian: Conventionalities and aesthetic systems

            Artistic efforts are most commonly practical to decoration, whether of the human body, objects of applied or ritual use, or fifty-fifty houses. The near common body adornments are paint and feather ornaments. Tattooing has also been expert, especially among the Mundurukú and many Arawak tribes.…

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        literature

        • In literature: Relation of form to content

          …for formal perfection, message for style.

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        contributions

          • Rilke
            • Rainer Maria Rilke.

              In Rainer Maria Rilke: Maturity.

              …years Rilke developed a new mode of lyrical poetry, the so-called Ding-Gedicht ("object poem"), which attempts to capture the plastic essence of a physical object. Some of the most successful of these poems are imaginative verbal translations of certain works of the visual arts. Other poems deal with landscapes, portraits,…

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          • Thucydides
            • Thucydides manuscript, 3rd century bc (Hamburg, Staats- und Universitätsbibliothek, P. Hamburg 163).

              In Thucydides: Style and historical aims

              Thucydides was himself an intellectual of the Athenian kind; markedly individualistic, his style shows a human being brought up in the visitor of Sophocles and Euripides, the playwrights, and the philosophers Anaxagoras, Socrates, and the contemporary Sophists. His writing is condensed and…

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          • drama
            • Mutter Courage und ihre Kinder (Mother Courage and Her Children)

              In dramatic literature: Mutual elements of drama

              A third factor is style. Every play prescribes its ain style, though it will exist influenced by the traditions of its theatre and the physical conditions of performance. Style is not something imposed by actors upon the text after information technology is written, nor is information technology superficial to the business…

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          • "le mot juste"
            • Gustave Flaubert

              In Gustave Flaubert: Method of limerick

              …ambition was to achieve a mode "every bit rhythmical as verse and as precise every bit the language of science" (alphabetic character of April 24, 1852). In his view "the faster the word sticks to the thought, the more beautiful is the effect." He often repeated that there was no such thing as…

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          • nonfictional prose
            • In nonfictional prose: Style

              The writing of nonfictional prose should not entail the tension, the monotony, and the cocky-conscious craft of fiction writing. The search for le mot juste ("the precise word") so fanatically pursued by admirers of Flaubert and Maupassant is far less important in nonfictional prose…

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          • parable
            • limestone ostracon with a drawing of a cat bringing a boy before a mouse magistrate

              In fable, parable, and apologue: Parable

              …used a plain but lively fashion, presenting stories of magicians, necromancers, prophets, chivalrous knights and ladies, great emperors—a combination bound to appeal to congregations, if not to theologians. An of import offshoot of the parable and exemplary tale was the saint'south life. Here, too, massive compilations were possible; the most celebrated…

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          • prosody
            • In prosody: Prosodic style

              The analysis of prosodic manner begins with recognizing the metrical class the poet uses. Is the poet writing syllable-stress, stiff-stress, syllabic, or quantitative metre? Or a nonmetrical prosody? Again, some theorists would not allow that poetry can be written without metre; the examples of…

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          theatre

            • acting
              • In acting

                Efforts to define the nature of an fine art or craft usually are based upon the masterpieces of that field. Without that necessary reference indicate, vague speculations and generalizations—without proof of validity—are likely. In the visual, musical, and literary arts, this foundation exists; the work of the cracking masters of…

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              • In acting: Styles of performance

                In an effort to bring new life to plays of the past and nowadays and to advance the imaginative possibilities of theatre, in that location has been a rediscovery of "style" in the 20th century. Style is the aspect of whatever consummate accomplishment; it…

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            Source: https://www.britannica.com/art/style-art

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